Bluebells in Beech Woods, Marlborough, Wiltshire, England, UK - photograph code DEF1236  

April 30th

Guide to photographing bluebells

Towards the end of April and into May some of our woods are transformed by a carpet of bluebells suddenly springing up amongst the trees.

Where to find bluebells

Search out woods local to you around this time of year and ask friends and family if they know any good locations. Using sites such as Flickr, you can find great locations, but one thing to watch out for is they can be swamped by dozens of photographers at a time. Looking for those less popular locations can be worth the effort.

When to photograph bluebells

If you are local to the bluebells, keep a watch on when they begin to appear, and time your visit when they are in full bloom.

Overcast days can work really well for woodland photography as the lack of direct sunlight reduces the contrast and cloud cover reflects light back reducing dark shadows. You can happily shoot all day in these conditions - being out at midday isn't a problem.

If you want to use the sun and its rays in your image, it is best to shoot close to sunrise or sunset when the low angle of the sun will give some nice light without being too strong in power. Try to keep details in the highlights by not overexposing the image - you'll probably lose details in the shadows, but this will give you a nice image with lots of contrast.

Photo composition tips

Try longer lens, such as a 100 mm or more, which will compress the perspective of the scene - making the bluebells appear closely packed. Spend time walking around and looking for things which catch your eye such as interesting trees, or a winding path to use as a lead-in line. Move around from your chosen position slightly and watch through the viewfinder to see how this effects the picture. Getting down low can be effective. A tripod will help you fine tune your photograph set up and take sharp photos without camera shake.

Spending time in the woods surrounded by one of nature's great displays can be a rewarding experience. While photographing the images shown here, I watched a young deer running and jumping through the trees amongst the bluebells. What a great sight and a privilege to see.

Shooting in overcast conditions eliminates dark shadows - DEF1202  

Sgwd Gwladys (Lady Falls), River Pyrddin, Brecon Beacons, Wales, UK - photograph code DEF1229  

March 27th

Slide film and the joys of scanning ;-)

I've got a massive pile of processed film which I've looked through and decided on the best images for scanning.

Some date back almost a year... because;

  • I usually wait until I have enough film to get a bulk processing discount
  • I find it helpful to wait a month or two before choosing which images have worked - it seems to take me this long to get some perspective and lose any prejudices or emotions I'm holding onto from the time of shooting
  • I decided I liked Tim Parkin's dust free cabinet idea so much, I've been building my own (and it took me longer than I thought it would)

This probably all seems crazy to those shooting digital - especially if you've never shot any film.

Personally I love shooting film. Viewing images that have worked well on a lightbox is a rewarding experience, and something I'm reluctant to let go of.

I also think there's too much talk about image quality, film vs. digital, sharpness, etc. After all it should be the images that count.

The UK has some incredible beauty. I'm hoping to witness a lot more of it and show others through my photography. Better get back to scanning then...

Slides of Cornwall on a lightbox  

Lighthouse at Hartland Point at dusk, North Devon, England, UK - photograph code DEF975  

February 2nd

It's cold and raining - stay dry and warm inside, or head out?

I'm sat in the office musing over some of my images taken in (so called) bad weather. Photographing when it's wet, windy and often freezing cold is a challenge - but when I return home with dramatic and successful photos it's a great feeling.

Probably my least favourite conditions are sunny blue sky days with no clouds in the sky. These can be pretty boring photographically - best to get down the beach and relax or surf or something.

If I am faced with a grey overcast day, maybe with some rain thrown in for good measure, I'll often head for the woods. The clouds act as a giant diffuser filling in the shadows and creating lovely soft light.

This image of Sgwr yr Eira waterfall in the Brecon Beacons was made in a soaking wet day. After a 45 minute walk to the location, the misty atmosphere was brilliant and the photographs just flowed.

There's often not many people about either - less red anoraks to walk into the shot just when you want to shoot! I used a tripod clamped umbrella to shelter my camera as I set the shot up, then unclamped and held the umbrella as I made the exposures to avoid the brolly moving the camera.

On another occasion, after a four day cycle ride around the Antrim Coast in Northern Ireland, I revisited the Giant's Causeway a few days later with my camera and all my kit (sadly I couldn't ride 65 miles a day with my Gitzo + Fuji GX617 strapped to my bike!). Huge waves were rolling in from the sea and the wind was whipping up foam and spray as as well threatening to knock me over!

Widening the tripod legs and keeping the camera low helped, as did hanging my heavy camera bag from the tripod to add weight. With a chamois over the lens I waited for the sun to break through the clouds for a few seconds at a time and quickly made an image. With eyes streaming from the intense wind, I wiped the lens between shots and managed to change films too. Quite a challenging shoot, but great fun actually.

Photographing in bad weather

Pros

  • Less people about - you get the landscape to yourself
  • Clouds reflect light into the shadows, softening them
  • Can result in dramatic moments if the sun breaks through
  • Skies with drama in the clouds add an important dimension to the image
  • It can be exhilarating going out in rough weather and overcoming the weather challenges to get an image
  • Getting home to get dry and a enjoy steaming a mug of hot chocolate is a great feeling

Cons

  • You might get a bit cold and wet
  • You'll probably have to clean and dry all your equipment after

Tools

  • Chamois Leather for wiping equipment and covering equipment to keep dry
  • Wellies - to keep your feet dry
  • Brolley - for the camera + clamp or willing assistant
  • Waterproof clothes!

Now, when's the snow coming to Devon? I want to see more sights like this:

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